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By Fiandaca Musco

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And yet, as C. S. 77 Spenser reminds us of the distinction between the country and the court, but he also presents a fluid translation between the two worlds. Melibee himself presents the pastoral state as one of mind rather than of a specific locale. When Calidore expresses envy for ‘‘this small plot of your dominion,’’ Melibee corrects him by pointing out that all should ‘‘contented rest / With that they hold: each hath his fortune in his brest. 28, 29–30). 20). In the next stanza, Calidore confirms Melibee’s definition by producing his own version of courtly pastoral.

Byles (London: Oxford University Press, 1932). See Kate Langdon Forhan, The Political Theory of Christine de Pizan (Burlington VT: Ashgate, 2002) pp. 133–54; and Renate Blumenfeld Kosinski, ‘‘Christine de Pizan and the Political Life in Late Medieval France,’’ in Christine de Pizan: A Casebook, eds. Barbara K. Altmann and Deborah L. McGrady (New York: Routledge, 2003), pp. 9–24. Egidio Colonna Romanus, De Regimine Principum [reprint (Aalen: Scientia Verlag, 1967)] (Rome, 1607), pp. mm6–mm8, nn4; Romanus, Li livres dou gouvernement de rois, ed.

As I show, the secularized code of chivalry, pastoral conventions, and the ‘‘mirror for princes’’ tradition converged within the Renaissance genre of romance in a way that allowed writers to consider issues of justice within a transnational context. the vogue of spanish romances of chivalry An influx of continental romance fiction into England generated a great deal of popular interest in the genre. Throughout the sixteenth century, educated English readers read French, Spanish, and Portuguese romances in their original French or in French translation, while in the later part of the century a broader readership consumed them in English translation.

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