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By Paul J Cloke

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1974 Topophilia, Prentice Hall, New York. Urry, J. 1995 Consuming Places, Routledge, London. White, M. and White, L. 1962 The Intellectual Versus the City, Harvard University Press, Boston, MA. Wickens, B. 2000 ‘Tragedy in Walkerton’, Maclean’s, 113(23), 34–6. Wiener, M. 1981 English Culture and the Decline of the Industrial Spirit, Oxford University Press, New York. Williams, R. 1960 Culture and Society, Chatto and Windus, London. Williams, R. 1973 The Country and the City, Chatto and Windus, London.

Fish, R. and Agg, J. 2001 ‘Putting together ruralities: towards a symbolic analysis of rurality in the British mass media’, Journal of Rural Studies, 17(1), 1–28. Ruskin, J. 1866 The Crown of Wild Olive, H. Altemus, Philadelphia, 1899 edition. Schama, S. 1996 Landscape and Memory, Alfred A. Knopf, New York. Shi, D. 1985 The Simple Life: Plain Living and High Thinking in American Culture, Oxford University Press, New York. Short, J. 1991 Imagined Country, Routledge, London. Stauffer, D. 1974 A Short History of American Poetry, Dutton, New York.

In adopting Foucault’s analysis of the medical gaze and of the organisation of deviance, Urry suggests that by investigating the ‘bizarre and idiosyncratic’, we can ‘reveal interesting and significant aspects of “normal” societies’ (1990: 2). Tourism certainly presents us with a wealth of bizarre and idiosyncratic practices, and many of them are related to the encounter with different kinds of landscape which may be interpreted in relation to landscape ‘at home’. One could, indeed, argue that the rise of tourism industries has provided one of the major driving forces for changes to the visual appearance of landscapes, both externally and internally, in terms of changing interpretations of the visual experience.

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