By John Holmes McDowell et al.
The current compilation of ballads from the Mexican states of Guerrero and Oaxaca files one of many world's nice traditions of heroic track, a practice that has thrived continually for the final hundred years. The 107 corridos awarded right here, accumulated in the course of ethnographic study over a interval of twenty-five years in settlements on Mexico's Costa Chica and Costa Grande, supply a window into the ethos of heroism one of the cultures of Mexico's southwestern coast, a quarter that has been tormented by recurrent cycles of violence.
John Holmes McDowell provides a richly annotated box choice of corridos, observed by way of musical ratings and transcriptions and translations of lyrics. as well as his interpretation of the corridos' depiction of violence and masculinity, McDowell situates the songs in ancient and function contexts, illuminating the Afro-mestizo effect during this detailed population.
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Extra info for ¡Corrido!: The Living Ballad of Mexico’s Western Coast
The mothers are all so sad. The Martínez brothers died being of growing fame, for thinking they were superior they went on to the other life. Señores, no hay que creer en compadres o primos hermanos. Todo el que porte sus armas que no se anden por la rama. Así mueren bonitos hombres aunque sean de grande fama. Gentlemen, do not have faith in compadres or in first cousins. He who carries his weapons should not go out on a limb. In this way fine men die even if they are widely famous. Mas en fin ya me despido.
The coastal dialects also feature a number of vernacular lexemes, some of them familiar in other Spanish and Mexican dialects (traiba, naiden, vido) and others more distinctive to the region. I have elected to preserve the distinctive lexemes in the corridos, but I have regularized the pronunciation of corrido lyrics to accord with standard Spanish usage. In producing the Spanish transcriptions I have sat with the recordings several times, checking my efforts for accuracy and repeatedly attempting to find solutions for the most obstinate passages.
They killed Chante Luna, you all should recall. But there he has a friend the one they call the Jackal. Watch yourself, Nico González, don’t you ever forget about him. Maganda y Riva Palacio se encuentran muy aflijidos, por la muerte de Martínez y Nico, que estaba herido. La culpa no fue del Chante porque ellos la habían querido. Maganda and Riva Palacio are feeling a lot of pain, for the death of Martínez and Nico, who was wounded. It was not Chante’s fault since they had asked for it. Ya me voy a despedir por las leyes que derogan.