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Extra resources for Buildings of Europe: Renaissance Europe

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Halbsaule und umkranzte Rundfenster an der Kirche S. Francesco, die Sigismondo Malatesta nach 1445 durch L. B. Albert! in den „Tempio Malatestiano" verwandeln lie8. A supreme combination of classical motifs Half-columns and garlanded circular windows at the church of S. Francesco transformed post 14 45 by L. B. Alberti into the "Tempio Malatestiano" Rimini, central Italy. c. 1470. w^m * ->\ ~J>J Castelli Alinari Tlorenz. Der Der hi. Museo Nazionale. Georg des Donatello, urn scharf beobachtende, nicht spiegelt den Renaissance-Menschen.

Die Kirche Andrea. 1472 von Alberti begonnen. nimml Hochrenaissance und Barock vorweg. Verbindung eines einschiffigen, tonneniiberwolbten Langhauses mit einem mit ihren durchgehenden Pilastern ist wie ein romischer Triumphbogen gebildet. S. Sie bringt nach romischen Vorbildern die Die Facade frechts) Marburg Mantua. S. Andrea, begun in 1472 by Alberti, an inspiration ation to t h Ren aissance and Baroque. Taking his model from Rome, the arcrmect combined a s ingle-aisledT rib-vaulte d nave with a dome (above).

Capua. The Roman-style head of Jupiter comes from the triumphal gate (now destroyed), erected 1233—47 by the Hohenstaufen emperor Frederick II across the Appian Way. Renaissance: Castel del Monte, Apulien. Lange Zeit vor Beginn der eigentlichen des Kaisers. Bauten fiir Formen Wiederaufnahme antiker II. Regelmafsig angelegt wie ein romisches Kastell, zeigt die Burg Friedrichs am Portal Pilaster und Gesimse. ) Renaissance Castel del Monte, Apulia. Long before the beginning of the real of Frederick II.

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