Download Buck Clayton’s Jazz World by Buck Clayton PDF

By Buck Clayton

Buck Clayton's Jazz World is the autobiography of 1 of the main major trumpeters in jazz. Clayton is better referred to as a trumpet participant for count number Basie (he joined that band in its first days of status in 1936 and stayed until eventually he entered the military within the early 1940s). He was once additionally considered one of Billie Holiday's favourite accompanists.
Clayton's recollections conceal seventy five interesting years of jazz background, not just within the usa but in addition overseas. some of the most exciting sections of the booklet bargains together with his inconceivable adventures in Shanghai in 1934-36 as chief of a jazz band and his prolonged remains in Europe considering the fact that 1949 as one in every of a wide crew of expatriate black American jazzmen. His paintings with Coleman Hawkins, Lester younger, Jummy dashing, and so forth is stated intimately. The publication additionally chronicles Clayton's more moderen occupation as an arranger and composer. additionally, he has lectured in jazz reviews at Hunter collage in New York.

in regards to the Co-Author

Nancy Miller is a number one big apple photographer who focuses on jazz-related topics.

Show description

Read or Download Buck Clayton’s Jazz World PDF

Similar musical genres books

Folk

American well known song displays a wealthy cultural range. From Aaron Copland to Miles Davis to Elvis Presley to Muddy Waters, the U.S. has produced probably the most influential and liked musicians and performers of the twentieth century. The blues, jazz, and rock and roll - musical genres enjoyed all over the world - have been born the following, and American composers, manufacturers, singers, and songwriters have crafted a distinct background in different genres akin to classical and people.

The Musical World of a Medieval Monk: Adémar de Chabannes in Eleventh-century Aquitaine

James Grier files the musical actions of Adémar de Chabannes, eleventh-century monk, historian, homilist and tireless polemicist for the apostolic prestige of Saint Martial, buyer saint of the abbey that bore his identify in Limoges. Adémar left at the back of a few 451 folios of tune with notation in his autograph hand, a musical source the ultimate prior to the 17th century.

From Birdland to Broadway: Scenes from a Jazz Life

Within the Fifties, manhattan City's Birdland used to be the heart of the realm of contemporary jazz--and a revelation to invoice Crow, a wet-behind-the-ears twenty-two-year-old from Washington nation. positioned on Broadway among 52nd and 53rd streets, the membership named for the incomparable Charlie "Bird" Parker boasted lifesize picture work of art of contemporary jazzmen like Dizzy Gillespie, Lennie Tristano, and, after all, poultry himself, looming huge opposed to jet black partitions.

Subversive Sounds: Race and the Birth of Jazz in New Orleans

Subversive Sounds probes New Orleans’s background, uncovering an internet of racial interconnections and animosities that was once instrumental to the production of an important American paintings form—jazz. Drawing on oral histories, police reviews, newspaper bills, and classic recordings, Charles Hersch brings to bright existence the neighborhoods and nightspots the place jazz was once born.

Extra resources for Buck Clayton’s Jazz World

Example text

Really beautiful, but it has to be done rather quickly because if it stays too long in your hair it bums your scalp. Bums hell out of you. I think the formula for conk is about seventy-five percent pure lye, so you don't mess around too long with it. So this day I walked in to get gassed, and the barbershop was full of guys talking about prizefights, girls, shows, dances and all the things that guys talk about when they hang out in barbershops. Jimmy started putting vaseline on my scalp as vaseline eases the bum from the lye.

I was playing a solo and I couldn't see that Rosalie had slipped up to the bandstand and was behind me. She had this knife raised up and she had thrust it down towards my back. My drummer naturally could see what was happening because he sat directly behind me. He was Logan Eubanks and had taken Oscar Bradley's place for some reason that particular night. So when he saw the knife he grabbed her arm, just as the knife was about three inches from my back, and somehow took it away from her without cutting himself.

Pretty soon all of these same characters began to really know me and they came to like me, but I still carried my hatchet on Saturday nights as a deterrent. They'd think twice about starting a fight just seeing the hatchets that Melvin and I carried. It was while working in this pool hall that I began to think of going back to Parsons and finishing my senior year in high school. I had always planned to go back to Parsons and graduate from high, but I had planned even then to return to Los Angeles afterwards and re-open my career as a jazz musician.

Download PDF sample

Rated 4.91 of 5 – based on 9 votes