By Buck Clayton
Buck Clayton's Jazz World is the autobiography of 1 of the main major trumpeters in jazz. Clayton is better referred to as a trumpet participant for count number Basie (he joined that band in its first days of status in 1936 and stayed until eventually he entered the military within the early 1940s). He was once additionally considered one of Billie Holiday's favourite accompanists.
Clayton's recollections conceal seventy five interesting years of jazz background, not just within the usa but in addition overseas. some of the most exciting sections of the booklet bargains together with his inconceivable adventures in Shanghai in 1934-36 as chief of a jazz band and his prolonged remains in Europe considering the fact that 1949 as one in every of a wide crew of expatriate black American jazzmen. His paintings with Coleman Hawkins, Lester younger, Jummy dashing, and so forth is stated intimately. The publication additionally chronicles Clayton's more moderen occupation as an arranger and composer. additionally, he has lectured in jazz reviews at Hunter collage in New York.
in regards to the Co-Author
Nancy Miller is a number one big apple photographer who focuses on jazz-related topics.
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Extra resources for Buck Clayton’s Jazz World
Really beautiful, but it has to be done rather quickly because if it stays too long in your hair it bums your scalp. Bums hell out of you. I think the formula for conk is about seventy-five percent pure lye, so you don't mess around too long with it. So this day I walked in to get gassed, and the barbershop was full of guys talking about prizefights, girls, shows, dances and all the things that guys talk about when they hang out in barbershops. Jimmy started putting vaseline on my scalp as vaseline eases the bum from the lye.
I was playing a solo and I couldn't see that Rosalie had slipped up to the bandstand and was behind me. She had this knife raised up and she had thrust it down towards my back. My drummer naturally could see what was happening because he sat directly behind me. He was Logan Eubanks and had taken Oscar Bradley's place for some reason that particular night. So when he saw the knife he grabbed her arm, just as the knife was about three inches from my back, and somehow took it away from her without cutting himself.
Pretty soon all of these same characters began to really know me and they came to like me, but I still carried my hatchet on Saturday nights as a deterrent. They'd think twice about starting a fight just seeing the hatchets that Melvin and I carried. It was while working in this pool hall that I began to think of going back to Parsons and finishing my senior year in high school. I had always planned to go back to Parsons and graduate from high, but I had planned even then to return to Los Angeles afterwards and re-open my career as a jazz musician.