By Larry Starr, Christopher Waterman
Rock, state, pop, soul, funk, punk, folks, hip-hop, techno, grunge--it's all the following. In American well known song: The Rock Years, Larry Starr and Christopher Waterman take readers on a desirable trip throughout the wealthy ancient and stylistic panorama of yank rock. An abridged model of the authors' acclaimed American well known song: From Minstrelsy to MTV, this quantity comprises chapters 8-14 of the longer booklet in addition to new introductory and concluding chapters.
American well known track: The Rock Years strains the improvement of rock from its roots within the mid-1940s to its present kingdom within the twenty-first century, integrating in-depth discussions of the song itself with sturdy insurance of the attendant old, social, and cultural situations. It moves a stability among musical research and social context, displaying how rock and American tradition have regularly encouraged one another through the years. utilizing well-chosen examples, insightful commentaries, and an interesting writing variety, the authors spotlight the contributions of numerous teams to the improvement of rock song, clarify the results of developments in recording expertise, and chronicle the expansion of rock tune as an undefined. The e-book is stronger through a wealthy representation software; boxed inserts on major contributors, recordings, and fascinating themes; and well-organized listening charts for recordings which are mentioned intimately within the textual content. Remarkably obtainable, American renowned track: The Rock Years is perfect for introductory classes within the historical past of rock and roll and should motivate readers to turn into extra seriously acutely aware listeners of rock music.
About the Author
Larry Starr is at college of Washington. Christopher Waterman is at UCLA.
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Extra info for American Popular Music: The Rock Years
Using a record changer, the listener could load a stack of singles, thus preprogramming a series of favorite recordings, each of which would begin less than fifteen seconds after the end of the previous record. This meant that consumers could focus their spending power on their favorite recordings, rather than buying a prepackaged series of songs by a single artist on an LP. Building on the basic principles of the jukebox, the marketing of 45s pointed the way forward to today’s digital technologies, which allow consumers to program specific tracks in any order they choose.
The development of television broadcasting, foreseen by science fiction writers of the nineteenth century, started in earnest in the 1920s. At the 1939 New York World’s Fair, RCA introduced its first fully electronic television system to the public. ) During the war production of television was interrupted, but in the postwar years, with the economy booming and cheaper sets available, the new medium took off. In 1946 it was estimated that Americans owned six thousand television sets; this figure shot up to three million in 1948, then twelve million in 1951.
The rural son—a Cuban parallel of “country music”—moved to the city of Havana, where it was played by professional dance bands. These musicians created a more exciting style by adding rhythms from the rumba, an urban street drumming style strongly rooted in African traditions. A “refined” version of rumba, developed by musicians working at tourist hotels in Cuba, was introduced to the world by Don Azpiazú and his Havana Casino Orchestra. Azpiazú’s 1929 recording of “El Manicero” (“The Peanut Vendor”) became a huge international hit.