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The labor camps Global’s CEO, Lance Shepherd, and Shepherd is now trying to have him are set up throughout the perimeter surrounding the prison. They are killed in a place where nobody will miss him or even realize he’s dead. forced to mine for the oil that exists deep within the surface of the planet. Lex is trying to escape from the prison and return to Earth, where he’s Along with these intensely laborious tasks of digging and mining, the convinced he can find the evidence to clear his name.

Surface. I want the vehicle to feel heavy and markers and a tech pen for cleaning it up, but a bit clunky - sort of utilitarian where form I have increasingly started to use Photoshop With this rough sketch I go for a more traditional follows function (that is to say that the ship’s for the sketch process as well as the finished rectangular box shape, in the spirit of classic construction is dictated purely by the mechanical pieces since it is so efficient and versatile. 02). However to make this shuttle look more utilitarian, I add requirements, with no thought to making it aesthetically pleasing).

06). These are made up of photos of metal and rusty surfaces etc and provide me not so much with detail, but with local color that I can use to start painting and defining the vehicle. At this point I alter the color and value of the sky to make the vehicle stand out more against the background. 07). At this point I am mainly drawing into the image and establishing the lighting on the vessel, all to help define the surface planes. I am also starting to think about detail a little and, when looking in my reference folder, I find a photo of a big iron collar fitting on an old industrial pipe.

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